Cinematic Mythology in the Narrative and Design of Tomm Moore’s The Secret of Kells


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KILINÇARSLAN Y.

CINEJ Cinema Journal, cilt.11, sa.2, ss.225-249, 2023 (ESCI, Scopus) identifier

  • Yayın Türü: Makale / Tam Makale
  • Cilt numarası: 11 Sayı: 2
  • Basım Tarihi: 2023
  • Doi Numarası: 10.5195/cinej.2023.560
  • Dergi Adı: CINEJ Cinema Journal
  • Derginin Tarandığı İndeksler: Emerging Sources Citation Index (ESCI), Scopus, Film & Television Literature Index, International Index to Film Periodicals, MLA - Modern Language Association Database, Directory of Open Access Journals
  • Sayfa Sayıları: ss.225-249
  • Anahtar Kelimeler: animation, celtic art, christianity, cinema, design, fractals, tale, visual design
  • Açık Arşiv Koleksiyonu: AVESİS Açık Erişim Koleksiyonu
  • Uşak Üniversitesi Adresli: Evet

Özet

This paper examines the Irish animated film The Secret of Kells. The conflict of the pagan world with the monotheistic world has been going on for millennia, and the reflections of these conflicts are clearly manifested both in the religious and artistic fields. In different geographies of the world, the call of mother nature still resonates in the depths of the subconscious of most people, images of pagan faith are transmitted from generation to generation and become visible in the works of artists. The life story of Brendon, the hero of the film, which is the subject of this article, makes viewers feel the sensitivity of cinematic aesthetics and folkloric narratives and mythologies through a characteristic Irish animation. The ethnic expressive style of Irish animation has been studied in detail in this article both in the sense of animated cinema and cultural studies.